{"id":13388,"date":"2024-05-29T22:34:09","date_gmt":"2024-05-29T22:34:09","guid":{"rendered":"https:\/\/lettersandsodas.com\/books\/?p=13388"},"modified":"2024-05-29T22:34:09","modified_gmt":"2024-05-29T22:34:09","slug":"glitter-and-concrete","status":"publish","type":"post","link":"https:\/\/lettersandsodas.com\/books\/glitter-and-concrete\/","title":{"rendered":"Glitter and Concrete"},"content":{"rendered":"<p>(by Elyssa Maxx Goodman)<\/p>\n<p>This book, which looks at the history of drag in New York City from the 1860s to 2023, was an interesting introduction to a subject I didn&#8217;t know a lot about. I&#8217;ve seen performances that incorporate drag and drag aesthetics (Justin Vivian Bond as Kiki in the cabaret duo Kiki and Herb, Taylor Mac and Matt Ray&#8217;s &#8220;Bark of Millions, with costumes by Machine Dazzle), but I don&#8217;t think I&#8217;ve ever seen an episode of RuPaul&#8217;s Drag Race. And I was only slightly familiar with a lot of the other aspects of drag history and drag performance over the decades, from morale-boosting\/comedic performances by male soldiers in the military during WWI and WWII to the ballroom scene of the 1970s and beyond. <\/p>\n<p>The book is organized chronologically, with each chapter mostly covering a decade, though some chapters cover longer time periods. In each chapter we learn about what drag was like at that time in NYC: we get biographic details of key performers\/figures, and we also learn about broader LGBTQ history and the larger cultural landscape at a given moment, and how drag was perceived, and who its audiences were. It was interesting to read about how &#8220;gender impersonation was a beloved genre of theater&#8221; in the mid\/late 1800s, with male impersonators like Kitty Doner and Florence Hines and female impersonators like Julian Eltinge (who performed for the king of England in 1907!) and Andrew Tribble. I learned about early Harlem drag balls and how Mayor La Guardia banned drag between 14th and 72nd streets in 1933, and about Phil Black and his long-running Funmakers&#8217; Ball, and about the Theatre of the Ridiculous and how it used drag as part of its rebellion against realist theater.<\/p>\n<p>While the chronological organization of the book made it easy to follow, there were aspects that felt somewhat repetitive, and I sometimes wished for more emphasis on the overarching themes\/larger context and fewer biographical sketches, which sometimes felt a little disjointed from the narrative. But at the same time, telling untold stories and talking about individual people and their contributions to drag history and\/or queer history and\/or activist history <em>is<\/em> important, so I understand the choice to structure the book this way.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(by Elyssa Maxx Goodman) This book, which looks at the history of drag in New York City from the 1860s to 2023, was an interesting introduction to a subject I didn&#8217;t know a lot about. I&#8217;ve seen performances that incorporate drag and drag aesthetics (Justin Vivian Bond as Kiki in the cabaret duo Kiki and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-13388","post","type-post","status-publish","format-standard","hentry","category-nonfiction"],"_links":{"self":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts\/13388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/comments?post=13388"}],"version-history":[{"count":9,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts\/13388\/revisions"}],"predecessor-version":[{"id":13399,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts\/13388\/revisions\/13399"}],"wp:attachment":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/media?parent=13388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/categories?post=13388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/tags?post=13388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}