{"id":14274,"date":"2026-02-16T14:24:20","date_gmt":"2026-02-16T14:24:20","guid":{"rendered":"https:\/\/lettersandsodas.com\/books\/?p=14274"},"modified":"2026-02-16T14:24:20","modified_gmt":"2026-02-16T14:24:20","slug":"netherland","status":"publish","type":"post","link":"https:\/\/lettersandsodas.com\/books\/netherland\/","title":{"rendered":"Netherland"},"content":{"rendered":"<p>(by Joseph O&#8217;Neill)<\/p>\n<p>Very close to the start of this book, the narrator gets a phone call in which he learns that someone he was friends with when he lived in New York is dead: and not just dead, but a murder victim. This is 2006, and the narrator, Hans, is back in London and back with his wife, after a New York interlude in which post-9\/11 anxieties exacerbated tension in their marriage and precipitated a temporary split. The narrative jumps back to when Hans first met his now-dead friend, Chuck&#8212;during a dramatic cricket game in August 2002 in which Chuck was one of the umpires. And the book continues to jump around in time and place: we see Hans in New York and in London and as a teenager in the Hague; we see Hans playing cricket and driving around Brooklyn with Chuck. Hans is often adrift, and not just in his marriage; Chuck is full of big plans that he&#8217;s working to realize, and the contrast in their personalities is part of the story, and part of their friendship. But this is more Hans&#8217;s story than Chuck&#8217;s, even if the news of Chuck&#8217;s death is what gets the book started. <\/p>\n<p>There are so many gorgeous sentences in this book, and I really loved New York as setting, as a place for set pieces: Hans experiences the 2003 blackout (which I missed because I was in Cambridge, MA for the summer that year) and tries and fails to meet up with Chuck at the Macy&#8217;s Thanksgiving Day Parade and has a comically awful experience at the DMV. Hans rides the Staten Island Ferry and goes to Floyd Bennett Field with Chuck (because Chuck wants to build a cricket arena there); Chuck takes Hans to Green-Wood Cemetery and shows him the parakeets living by the entrance. Before Hans moves to New York, he has a conversation with someone at the bank where he works who had his own expat New York interlude, and what the guy says to Hans is that &#8220;New York&#8217;s a very hard place to leave,&#8221; and a lot of the book is about the city&#8217;s magic and magnetism, even as Hans later reflects that New York was the place where he&#8217;d &#8220;been unhappy for the first time&#8221; in his life. That melancholy, though, leads to passages like this, which I love: &#8220;Directly to the north of the hotel, a succession of cross streets glowed as if each held a dawn. The taillights, the coarse blaze of deserted office buildings, the lit storefronts, the orange fuzz of the street lanterns: all this garbage of light had been refined into a radiant atmosphere that rested in a low silver heap over Midtown and introduced to my mind the mad thought that the final twilight was upon New York.&#8221; I also love certain phrases, like when Hans is on a train and a freight train passes: &#8220;Blocks of color stormed my window for a full minute.&#8221; Or when Hans describes the &#8220;suddenly green, almost undersea atmosphere&#8221; of a summer thunderstorm.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(by Joseph O&#8217;Neill) Very close to the start of this book, the narrator gets a phone call in which he learns that someone he was friends with when he lived in New York is dead: and not just dead, but a murder victim. This is 2006, and the narrator, Hans, is back in London and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-14274","post","type-post","status-publish","format-standard","hentry","category-fiction"],"_links":{"self":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts\/14274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/comments?post=14274"}],"version-history":[{"count":9,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts\/14274\/revisions"}],"predecessor-version":[{"id":14287,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts\/14274\/revisions\/14287"}],"wp:attachment":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/media?parent=14274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/categories?post=14274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/tags?post=14274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}