{"id":1443,"date":"2010-07-12T16:50:49","date_gmt":"2010-07-12T20:50:49","guid":{"rendered":"http:\/\/www.lettersandsodas.com\/books\/?p=1443"},"modified":"2010-07-12T16:50:49","modified_gmt":"2010-07-12T20:50:49","slug":"between-booksreading-short-stories","status":"publish","type":"post","link":"https:\/\/lettersandsodas.com\/books\/between-booksreading-short-stories\/","title":{"rendered":"Between Books\/Reading Short Stories"},"content":{"rendered":"<p>I&#8217;m currently catching up on back issues of <em>The New Yorker<\/em>&#8212;I&#8217;m not quite sure how I got behind: I used to always be caught up! I used to see people reading old issues on the train and think, &#8220;really, you&#8217;re just reading that <em>now<\/em>?&#8221; But it&#8217;s OK: I don&#8217;t feel (too) bad about the fact that I&#8217;m just now reading the Summer Fiction issue (June 14 &#038; 21). I like short stories, or at least, I think of myself as liking short stories, but somehow I don&#8217;t actually read that many of them in book form: at any given moment I&#8217;m much more likely to be reading a novel, or a book of poems, or maybe a book of essays. But that&#8217;s where <em>The New Yorker<\/em> comes in, except that I often find the short stories in its pages to be, well, semi-memorable at best. This may partly be a function of the fact that I don&#8217;t tend to write about those stories here, or to discuss them with anyone else&#8212;and what I read but don&#8217;t write or talk about, I tend to forget. But I&#8217;m starting to think it might also be about the subject matter. I&#8217;m generally just not that interested in short fiction about middle-aged people who are privileged, heterosexual, and\/or having marital difficulties or career trouble. And I feel like <em>The New Yorker<\/em>&#8216;s fiction section has a lot of that. Not that there aren&#8217;t other kinds of stories represented as well, and not that I don&#8217;t sometimes appreciate a style or phrase in those stories, or even the way the plot unfolds. But unless something formally quirky or interesting or fun is happening, it&#8217;s probably not going to resonate with me. Also, I think I like short shorts, or even just short-ish shorts, best of all short stories. <\/p>\n<p>Which is why a two page story by Jonathan Safran Foer called &#8220;Here We Aren&#8217;t, So Quickly&#8221; made me pause when I started reading it and made me smile when I kept going. Here&#8217;s how it start: &#8220;I was not good at drawing faces. I was just joking most of the time. I was not decisive in changing rooms or anywhere. I was so late because I was looking for flowers.&#8221; And it continues like that, except with some paragraphs being all &#8220;You&#8221; statements, and some being a mix of &#8220;I&#8221; and &#8220;You&#8221; and some being &#8220;We.&#8221; (There are some &#8220;They&#8221; sentences at the end, and some that don&#8217;t even start with a pronoun&#8212;but not very many of those, comparatively speaking.) I love it, the pace of it, the length of it, the way it tells a story through all the accumulation of these insignificant-seeming bits and pieces, how it traces the line of the speaker&#8217;s life through love\/marriage\/parenthood\/boredom but does so in an unexpected way. <\/p>\n<p>You can only read the whole story <a href=\"http:\/\/www.newyorker.com\/fiction\/features\/2010\/06\/14\/100614fi_fiction_foer\">on  <em>The New Yorker<\/em>&#8216;s website<\/a> if you have a subscription to the magazine, but someone else liked this story enough to type the whole thing out: <a href=\"http:\/\/andrewcraig.tumblr.com\/post\/695761169\/this-story-appeared-in-the-new-yorkers-20-under\">here<\/a> it is in its entirety.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m currently catching up on back issues of The New Yorker&#8212;I&#8217;m not quite sure how I got behind: I used to always be caught up! I used to see people reading old issues on the train and think, &#8220;really, you&#8217;re just reading that now?&#8221; But it&#8217;s OK: I don&#8217;t feel (too) bad about the fact [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-1443","post","type-post","status-publish","format-standard","hentry","category-fiction"],"_links":{"self":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts\/1443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/comments?post=1443"}],"version-history":[{"count":0,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts\/1443\/revisions"}],"wp:attachment":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/media?parent=1443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/categories?post=1443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/tags?post=1443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}