{"id":49,"date":"2005-12-05T13:48:22","date_gmt":"2005-12-05T17:48:22","guid":{"rendered":"http:\/\/www.lettersandsodas.com\/books-test\/?p=49"},"modified":"2005-12-05T13:48:22","modified_gmt":"2005-12-05T17:48:22","slug":"decreation-by-anne-carsonborzoi-books-aa-knopf-2005","status":"publish","type":"post","link":"https:\/\/lettersandsodas.com\/books\/decreation-by-anne-carsonborzoi-books-aa-knopf-2005\/","title":{"rendered":"Decreation by Anne CarsonBorzoi Books (A.A. Knopf), 2005"},"content":{"rendered":"<p>I read this book last month, quickly, and loved it, though I didn&#8217;t yet have anything to say about it. So I took a break, read some lighter things, and then picked it up again. On a second reading, familiar with the arguments and names and allusions, I was more able to grin at Carson&#8217;s humor and wit and cleverness, of which there is plenty. Her language is precise, smart, and idiosyncratic. In &#8220;Every Exit is an Entrance,&#8221; she writes. &#8220;My intention in this essay is to burrow like a mole in different ways of reading sleep&#8221; (19). Later in the same piece, she remarks, &#8220;So let&#8217;s say in general Odysseus and sleep are not friends&#8221; (29). This book&#8217;s cast of characters is so broad: Sappho, Monica Vitti, Abelard and Heloise (these last two in a screenplay, Abelard absurd and pompous, Heloise sullen and touchy, more alive). And then there&#8217;s the title, the trouble of &#8220;decreation&#8221; (Simone Weil&#8217;s phrase), and the problem of wanting to make the self transparent while still being engaged in the project of writing: &#8220;a sort of dream of distance in which the self is displaced from the centre of the work and the teller disappears into the telling&#8221; (173).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I read this book last month, quickly, and loved it, though I didn&#8217;t yet have anything to say about it. So I took a break, read some lighter things, and then picked it up again. On a second reading, familiar with the arguments and names and allusions, I was more able to grin at Carson&#8217;s [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,10],"tags":[],"class_list":["post-49","post","type-post","status-publish","format-standard","hentry","category-nonfiction","category-poetry"],"_links":{"self":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/comments?post=49"}],"version-history":[{"count":0,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts\/49\/revisions"}],"wp:attachment":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/media?parent=49"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/categories?post=49"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/tags?post=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}