{"id":6443,"date":"2014-10-13T14:02:48","date_gmt":"2014-10-13T18:02:48","guid":{"rendered":"http:\/\/www.lettersandsodas.com\/books\/?p=6443"},"modified":"2014-10-13T14:02:48","modified_gmt":"2014-10-13T18:02:48","slug":"quick-question-new-poems-by-john-ashberyecco-harpercollins-2012","status":"publish","type":"post","link":"https:\/\/lettersandsodas.com\/books\/quick-question-new-poems-by-john-ashberyecco-harpercollins-2012\/","title":{"rendered":"Quick Question: New Poems by John Ashberyecco (HarperCollins), 2012"},"content":{"rendered":"<p>I have a hard time with John Ashbery&#8217;s poems, but I keep trying anyway. I think the problem is that I like to read poems that are more recognizably set in this world; I like poems that are &#8220;about&#8221; everyday life but told in a way that focuses on luminous detail, or that somehow makes things sing&#8212;I&#8217;m thinking of poets like David Lehman and Mark Doty, who are stylistically different but who both, I think, do this. Ashbery&#8217;s poems are doing something else, and I&#8217;m not sure what. His tone is often conversational, and he&#8217;s got a great ear for speech patterns, for everyday language; he sometimes uses bits of other texts (from a line from <em>Gammer Gurton&#8217;s Needle<\/em> to a phrase from &#8220;Mary Had a Little Lamb&#8221;). But poems that start by feeling straightforward end up going elsewhere. Look at the first poem in this book, <A href=\"http:\/\/www.poetryinternationalweb.net\/pi\/site\/poem\/item\/23290\/auto\/WORDS-TO-THAT-EFFECT\">&#8220;Words to That Effect&#8221;<\/a>: that great &#8220;slow then fast,\/then slow again,&#8221; and the image at the end of the first stanza, and how at the end, in the third stanza, things veer weirder. <\/p>\n<p>There are some striking passages in this book, things like this, from the title poem:<\/p>\n<blockquote><p>\nthe landscaped sucked in its breath,<\/p>\n<p>taking its time as always. <\/p><\/blockquote>\n<p>And there&#8217;s humor, like this, in &#8220;Recent History&#8221;:<\/p>\n<blockquote><p>They were early, as usual. Can&#8217;t you guys ever<br \/>\nbe late, we wondered, though one wouldn&#8217;t<br \/>\nnecessarily want that either. [&#8230;] <\/p><\/blockquote>\n<p>My favorite poems in this book are probably <a href=\"http:\/\/marinaylou.tumblr.com\/post\/40226017543\/how-i-met-you\">&#8220;How I Met You&#8221;<\/a> and the prose poem <A href=\"http:\/\/www.poetryinternationalweb.net\/pi\/site\/poem\/item\/23291\/auto\/HOMELESS-HEART\">&#8220;Homeless Heart&#8221;<\/a>. I smiled at the wordplay elsewhere in the book, &#8220;census&#8221; and &#8220;sensory&#8221; in one poem, and &#8220;cavity&#8221; and &#8220;caveats&#8221; and &#8220;tocsins&#8221; and &#8220;toxins&#8221; in the poem called &#8220;Far Harbor,&#8221; which ends with this:<\/p>\n<blockquote><p>[&#8230;] The broad petals of language<br \/>\nare stiff and may get very bad.<br \/>\nThey make it very bad<br \/>\nin our language tutoring.<\/p><\/blockquote>\n<p>but I often felt like, in any given poem, I couldn&#8217;t quite find my way in. &#8220;Everything remains invigoratingly at sea,&#8221; writes Charles Bainbridge, in <A href=\"http:\/\/www.theguardian.com\/books\/2013\/mar\/15\/quick-question-john-ashbery-review\">this review in the Guardian<\/a>, but I&#8217;m not sure I found it invigorating. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>I have a hard time with John Ashbery&#8217;s poems, but I keep trying anyway. I think the problem is that I like to read poems that are more recognizably set in this world; I like poems that are &#8220;about&#8221; everyday life but told in a way that focuses on luminous detail, or that somehow makes [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-6443","post","type-post","status-publish","format-standard","hentry","category-poetry"],"_links":{"self":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts\/6443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/comments?post=6443"}],"version-history":[{"count":0,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/posts\/6443\/revisions"}],"wp:attachment":[{"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/media?parent=6443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/categories?post=6443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lettersandsodas.com\/books\/wp-json\/wp\/v2\/tags?post=6443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}