Category: Fiction
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The Chemistry of Tears by Peter CareyAlfred A. Knopf, 2012 (Originally Faber and Faber)
Catherine Gehrig has lost her lover of thirteen years: he died suddenly, and because their affair was a secret (he was married), she’s unable to grieve publicly. Except their affair wasn’t entirely a secret: Catherine’s lover worked at the Swinburne Museum, as she also does, and was a close friend of her boss. Knowing she…
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Schematics: A Love Story by Julian HibbardMark Batty Publisher, 2011
I liked the concept of Schematics more than I liked the execution of it. It sounds so promising: the back cover describes it as a “sparse, meditative, and enigmatic narrative embroidered with schematic diagrams,” and in an essay at the end of the book David LaRocca says that “Throughout Schematics Hibbard demonstrates the persuasive power…
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Barley Patch by Gerald MurnaneDalkey Archive Press, 2011 (Originally Giramondo, 2009)
Barley Patch starts with a question posed by Rilke in Letters to a Young Poet, a question Rilke says all writers should ask themselves, namely: “Must I write?” (9) This question leads to other questions, so the book is structured as the narrator interviewing himself or explaining himself, except that the questions are sometimes so…
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Berlin Stories by Robert WalserTranslated by Susan Bernofsky and othersNew York Review of Books, 2012
In her introduction to Berlin Stories, Susan Bernofsky notes that “while we tend to call these texts “stories,” Walser himself described them as “prose pieces”; this hybrid of story and essay remained his genre of choice for most of his writing career” (xi). The pieces are short—many are just two or three pages—and they read,…
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Ragnarök: The End of the Gods by A.S. ByattCanongate, 2011
In a section at the end of this book called “Thoughts on Myths,” A.S. Byatt quotes Nietzsche, who wrote about myths as “presiding over the growth of the child’s mind” (158). Byatt writes about Ragnarök, the end of the gods and the end of the world, as presiding over the growth of her own mind,…
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There but for the by Ali SmithPantheon Books (Random House), 2011 (Originally Hamish Hamilton)
Imagine the relief there’d be, in just stepping through the door of a spare room, a room that wasn’t anything to do with you, and shutting the door, and that being that. There’d be a window, wouldn’t there? Were there any books in there? What would you do all day? (44) There’s the premise, in…
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Invitation to a Voyage by François Emmanuel, translated by Justin VicariDalkey Archive Press, 2011
I liked the last two short stories in this book the best, because one is a fairy tale and the other’s a spy story gone strange. Emmanuel’s style, which is sometimes dreamy but sometimes just trite, works for me when it’s playing with a genre like that: the other four stories in this book sometimes…
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Light: A Novel by Eva FigesBallantine Books (Random House), 1989 (Originally Pantheon, 1983)
I found Light on the sidewalk and brought it home on the strength of the back cover blurb, a quote from The New York Times Book Review that says the book is “a luminous prose poem of a novel” and also calls it “unhurried” and “richly descriptive.” I’d never heard of Figes, and have never…
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Excellent Women by Barbara PymPlume Books (Penguin), 1988 (Originally Jonathan Cape, 1952)
Mildred Lathbury, “an unmarried woman just over thirty, who lives alone and has no apparent ties,” enjoys the ordinary routines of her days, months, years (5). She works part-time at an organisation that helps “impoverished gentlewomen”; she is involved in her local church and is close friends with the vicar, Father Malory, and his sister…
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Mistress of the Art of Death by Ariana FranklinBerkley (Penguin), 2008 (Originally G.P. Putnam’s Sons, 2007)
I think what I liked best about this book was its setting: Cambridge, England, in 1171. Spring and the rain and the cherry blossoms, and a city centered around its river, a city of traders and barges and punts and quays and bridges. Comparing it to her hometown of Salerno, the main character thinks about…