Book notes

Category: Fiction

  • More in The Fugitive: “Mademoiselle de Forcheville”

    The “Mademoiselle de Forcheville” section of The Fugitive starts out funny, which is refreshing: our narrator’s doing his usual thing of walking around looking at girls, he sees a group of three and tries to follow them but fails when they get in a carriage. But then, joy of joys, he sees them leaving his…

  • The first part of The Fugitive

    With Albertine gone, our narrator immediately starts thinking of how to get her back: in contrast to the inaction of The Captive it feels like he’s suddenly all action, though really he’s still all talk: he decides he’ll marry her, but writes telling her how good it is that they’ve parted; he sends Saint-Loup to…

  • Finishing The Captive, moving on to The Fugitive

    The rest of The Captive has been pleasing (though slow) reading. I last posted a quote from page 160-something; between there and the end there is: Albertine’s trip to the theatre cut short by the narrator’s jealousy, an afternoon carriage ride, Albertine’s visit to the Verdurins forestalled by the narrator’s jealousy, the narrator’s own visit…

  • The Captive: the “litanies of small trades”

    Despite my initial ambivalence toward The Captive—picking it up then putting it down, picking it up and reading but feeling like it was going to be a tedious and claustrophobia-inducing recitation of jealousies— I’m now really enjoying it, and have been since around page 100. Part of this might have just been me getting back…

  • More in The Captive: Gazing out of Windows

    Besides jealousy, what’s at the center of The Captive is immobility—perhaps not surprisingly, given the volume’s title. At the very start of the book we learn that the narrator spends most of his time in his bedroom, so that’s where we mostly are, too. Sometimes it’s claustrophobic (as is that squirm-inducing jealousy I wrote about…

  • More in The Captive

    Despite that early beauty, this book is shaping up to be sort of squirm-inducing: at the center of The Captive, even more than in previous volumes, is the narrator’s jealousy. It isn’t absolute—or, at least, he says it isn’t—but it’s consuming. It’s the in-between-ness that’s the problem, the hazy awareness, the knowing-but-not-knowing: “I should not…

  • Returning to The Captive

    After just about a three-month-long break, I’ve picked up The Captive & The Fugitive again. I’m in Georgia on vacation right now, which means that my reading time is quiet time in the mornings or the evenings, not commuting time, which I think bodes well for getting farther along in this book than I did…

  • Ghostwalk by Rebecca StottSpiegel & Grau, 2007 (originally Weidenfeld & Nicolson, 2007)

    I started reading this book the day after I learned that I might be taking another trip to Cambridge (England) for a few days for work in January. If this trip happens, it’ll be my third visit: the first time, in March 2008, I stayed for eight days, the second time, in October 2008, for…

  • Forgetting Elena by Edmund WhiteVintage International, 1994 (originally Random House, 1973)

    Forgetting Elena starts out slow and strange; it’s unsettling and apt, the way it unfolds. It’s narrated by a man staying in a summer cottage with a group of other men. He seems new to the group and pathologically unsure of his place in it, or his place in the world, or just himself: he…

  • The Coral Thief by Rebecca StottSpiegel & Grau (Random House), 2009 (Originally Weidenfeld & Nicholson, 2009)

    In Paris in 1815, everything is changing. Napoleon is in exile, on his way to Saint Helena. France has a king again, and in Paris new streets are being laid, old buildings torn down. The freedoms, or illusions of freedom, of the Revolution are disappearing: Paris is no longer the place where any idea can…