what I’ve been reading lately:
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The Grey King by Susan CooperMargaret K. McElderry Books, 1975
Welsh place-names, lessons in pronunciation, hills and lakes and grey mist. This book felt less sinister than some of the others in this series, perhaps because it’s more about preparation than open conflict between the Dark and Light, perhaps because there is more of High Magic in it, perhaps because the Grey King and his
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Possession by A.S. ByattVintage International, 1991 (originally Chatto and Windus, 1990)
Oh, academia! I love how Byatt plays with genre, with the idea of romance in its various senses, with the chase/quest/race, with detective stories and novels and letters. I love how the texts that her characters are anaylzing are themselves a significant part of her own text: her protagonists are readers, and we have the
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The Wonderful Flight to the Mushroom Planet, by Eleanor CameronLittle, Brown, 1954
This book was written nearly a decade before the first manned space flight, three years before Sputnik was launched, at a time when space must have captured kids’ imaginations in a somewhat different way than it does now. The sense of possibility that fills this book makes it a pleasure to read, as do all
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Harry Potter and the Half-Blood Prince by J.K. RowlingScholastic, 2005
Wonderfully fast-paced and filled with plot twists, from curses to potions to romantic entanglements.
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Greenwitch by Susan CooperAladdin Paperbacks, 2000 (originally 1997)
Back to Trewissick, to fish and the sea, history & tradition. In this book, Jane made me think of Chihiro in Spirited Away—both girls know to treat things-of-magic with kindness as well as respect, and it’s somehow really pleasing to watch a character engage with the world that way.
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The Dark Is Rising by Susan CooperScholastic, 1989 (originally Macmillan, 1973)
I liked this book for all the echoes of superstition and tradition and history: the way it’s set in the time from Midwinter’s Eve to Twelfth Night, the idea of the past being so very present, the way that Will and Merry and the Old Ones can travel through time and step outside it.
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Over Sea, Under Stone by Susan CooperScholastic, 1989 (originally Macmillan, 1965)
I read this book (and the rest of Cooper’s The Dark Is Rising sequence) as a child, but I didn’t remember anything about the plot: not the English-ness of them, not the Arthurian context, nothing, in fact, aside from a few lines of poetry from one of the later books. Re-reading Over Sea, Under Stone,
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Jonathan Strange & Mr Norrell by Susanna ClarkeBloomsbury, 2004
The back cover quotes a review in the Washington Post proclaiming that this book is one of those that “are meant to be lived in for weeks.” It’s true, and not just because the hardcover edition is 800 pages. Clarke’s writing is urbane and beautiful and descriptive, very British and very wonderful. This book has
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Plastic Angel by Nerissa NieldsOrchard, June 2005
(I read an advance copy of this several months ago, but didn’t want to write about it ’til it was actually out there to be read.) This book is really lovely, never strained or cheesy or simplistic or didactic or any of the bad things that young adult books can sometimes be. It’s filled with
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The Misfits by James HoweAladdin, 2003 (originally 2001)
Sometimes this book is annoyingly meta-textual, like when the narrator refers to things that are going to happen, or calls other characters “characters,” but mostly it’s a quirky and cute story about a group of seventh-grade kids who are the class outcasts. I like how matter-of-factly everything is handled, how having divorced parents or a